Reminiscence of Redingote

Reminiscence of Redingote, Versatile Coatdress

2016 Juried Exhibition, International Textile and Apparel Association (ITAA), Vancouver, Canada

co-designed with Mia (Mikyoung) Whang (1st designer), Centenary University, Hackettstown, NJ

Materials: 100% Linen,

Natural Dyes; Alkanet, Annatto, Cutch, Sandalwood

Mordants & Aids: Aluminum Sulfate, Soda Ash, Soy Milk

Techniques: Natural Dye Techniques, Draping, Couture Techniques

The purpose of this project was to create a versatile design for couture and designer markets that implements sustainable concepts and strategies through natural dyeing and “Design Light”. The Design Light concept suggests that the design has multiple functions, providing a versatile option which reduces the need for additional dresses. In turn, we can do more with less and leave less environmental footprints. In this project, the versatility was achieved with its removable sleeves.

This coatdress incorporates design elements of Redingote that was a gown that was worn by women in the mid-1780s and was inspired by a man’s stylish sporting coat. To create an androgynous look in our design, a feminine silhouette of cowl design for the skirt was combined with a large notched collar. Asymmetrical line of the skirt and the fitted bodice creates informal balance and unity. The lantern sleeve design was added for a dramatic look. For the surface design, an inspiration came from The Water Lilies: Setting Sun by Claude Monet (1840-1926), one of the eight Les Nymphéas (Water Lilies) compositions. Physical resist techniques and natural dyeing were used to recreate the painter’s dappled brushstrokes and the color schemes of toned down blush pinks and variegated browns.